We're Open
+44 7340 9595 39
+44 20 3239 6980

[Solved]Cinema of Affect - Coursework

  100% Pass and No Plagiarism Guaranteed

[Solved]Cinema of Affect - Coursework

Please Choose one
  1. Brian Massumi argues that affect “is a state of suspense, potentially of disruption”.  Discuss the implications of this statement and theories of cinematic affect for the analysis of urban film.  Use at least two films as examples “
  2. Discuss the relationship between early cinema and the characteristics of urban modernity in terms of the ‘affective experience’. 
  3. The Classic Gangster Film is the epitome of the “cinema of the American Dream”.  Do you agree with this statement?  Use at least two films from the Warner Bros cycle in your answer.
  4. Examine the notion that film noir can be read as symptomatic of a crisis of the American Dream and American modernity.  Use at least two films in your answer
  5. How might the conspiracy or paranoia film be read as part of a decline in the power ofHollywoodrealism and its genres?  Discuss using at least two examples.
  6. What are the politics of ethnicity in the 1970s’ cinema of Martin Scorsese? Use at least two films in your answer.
  7. "The new wave” of Hong Kong Cinema is less concerned with narratives than the visualisation of a local culture within a global context’.  Examine the validity of this statement with reference to at least two films.
  8. David Bordwell argues that John Woo’s films are part of “an ecstatic cinema, one that carries spectators away, tearing them ‘out of stasis’ and arousing a rapt, electric apprehension of sheer pictorial and auditory momentum”  What does he mean by this statement and is it valid?
  9. Indian Popular Cinema has been described as a “Cinema of Interruptions”.  Explore the significance of this statement in relation to at least at least two films.
  10. “Nor is it a matter of scenes of terror, although there are sometimes corpses and blood.  It is a matter of something too powerful, or too unjust, but sometimes also too beautiful, and which henceforth outstrips our sensory-motor capacities”.  How do Deleuze’s meditations on the affective properties of the cinema help us understand the power of South Korean contemporary cinema?
  11. “New Black Realism was a political attempt to reanimate affective shock in its images and form.”  Discuss this argument in relation to at least two relevant films.
      1. Examine the ways in white “new-brutality” films of the 1990s depend on African-American culture and bodies for their affective power?

Max word limit 2500


100% Plagiarism Free & Custom Written,
Tailored to your instructions


International House, 12 Constance Street, London, United Kingdom,
E16 2DQ

UK Registered Company # 11483120


100% Pass Guarantee

STILL NOT CONVINCED?

View our samples written by our professional writers to let you comprehend how your work is going to look like. We have categorised this into 3 categories with a few different subject domains

View Our Samples

We offer a £ 2999

If your assignment is plagiarised, we will give you £ 2999 in compensation

Recent Updates

Details

  • Title: [Solved]Cinema of Affect - Coursework
  • Price: £ 69
  • Post Date: 2021-09-28T10:51:04+00:00
  • Category: Coursework
  • No Plagiarism Guarantee
  • 100% Custom Written

Customer Reviews

[Solved]Cinema of Affect - Coursework [Solved]Cinema of Affect - Coursework
Reviews: 5

A masterpiece of assignment by , written on 2020-03-12

The writer 0223 is really helpful. He gave me the best essay ever. Love you loads for such a great job and thanks again.
Reviews: 5

A masterpiece of assignment by , written on 2020-03-12

I am not good at designing PowerPoint presentations so I took help from Insta Research. The format is cool and attractive. All the information is nicely placed and used. I am looking forward to presenting so that I could demonstrate my presentation and receive good comments. Thank you for help.