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All non-fiction films are authored, but the author – or the authorial attitude – is not always immediately visible. Discuss this proposition with reference to two long- form non-fiction films of your choosing. You should compare one film where the author is a visible and/or audible presence with one where the author (or the authorship) is not.
Note: By long- form, the examiners mean an hour slot as a minimum on (broadcast) television; a complete, self-contained interactive piece made for the web, or of course a full-length cinema feature or equivalent.