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1. Examine the implications of the notion of identification and point of view by closely analysing a couple of scenes from a film

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1. Examine the implications of the notion of identification and point of view by closely analysing a couple of scenes from a film or films of your choice. Consider how this affects your engagement with the text. You can use examples from the same or diffe

1. Examine the implications of the notion of identification and point of view by closely analysing a couple of scenes from a film or films of your choice. Consider how this affects your engagement with the text. You can use examples from the same or different films

Useful Sources:

.David Bordwell, Narration in the Fiction Film, London: Routledge, 1986 (first pub. Methuen, 1985)
2.Edward Branigan, ‘The Point-of-View Shot’ in Bill Nichols (ed.), Movies and Methods, vol 2, Berkeley, Univ of California Press, 1985
3.Nick Browne, ‘The Spectator in the Text: The Rhetoric of Stagecoach,’ Movies and Methods, vol 2


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  • Title: 1. Examine the implications of the notion of identification and point of view by closely analysing a couple of scenes from a film or films of your choice. Consider how this affects your engagement with the text. You can use examples from the same or diffe
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  • Post Date: 2018-11-10T07:59:10+00:00
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1. Examine the implications of the notion of identification and point of view by closely analysing a couple of scenes from a film or films of your choice. Consider how this affects your engagement with the text. You can use examples from the same or diffe 1. Examine the implications of the notion of identification and point of view by closely analysing a couple of scenes from a film or films of your choice. Consider how this affects your engagement with the text. You can use examples from the same or diffe
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